30 Jan 13

"...we can solve this problem ...we can solve it now..."

Timothy Scott, newly elected Chairman of Illinois Council Against Handgun Violence

Tonight, they're rockin' the stage to bring a very important issue to light. In case you haven't noticed the recent news, blogspot readers, handguns and handgun violence has suddenly been the forefront on every politicians' and activists' (for and against) as well as re-elected Barack Obama's mind lately. Ever since the Sandy Hook, CT tragedy to the recent death of Hadiya Pendleton, the issue of gun control has been given national spotlight and top priority amongst many concerned citizens and activist groups. At Empty Bottle, SouthSide joined many others on this brisk winter's night at a charity event to help rock and raise money benefiting the Illinois Council Against Handgun Violence.

Found in 1975 by four (4) Chicago suburban women, the Illinois Council Against Handgun Violence is the oldest and largest statewide organization in the US that has been working to prevent tragedies like Sandy Hook and Aurora (CO) caused by firearms. According to Timothy Scott, who was recently elected as chairman of this non-profit organization, this benefit's goal is "...to educate, advocate and pass common sense gun law..." which is designed to reduce deaths and injuries. "...1,000 lives [the number of Illinois residents killed each year by guns] ...1,000 reasons..." says Timothy during a short interview with this reviewer. He continued saying "...firearms are dangerous products ...they need to be regulated..." like any other dangerous product, blogspot readers. However, this doesn't mean his organization is out to do away with the 2nd Amendment of the US Constitution - "...A well regulated militia, being necessary to the security of a free state, the right of the people to keep and bear arms, shall not be infringed..." What the Illinois Council Against Handgun Violence is advocating "...build coalitions to enact change in laws and behavior..." meaning they're not looking at bits or pieces of this amendment but the entire sentence. And did you know that Illinois is the only state that doesn't allow concealed handguns?

While discussing how SouthSide lives in one of two Chicago's high crime areas, she asked how he felt about this issue being in the forefront of political minds these days. Timothy responded "...it's fantastic on what's being done in D.C." then adding "...shame on [the] politicians..." SouthSide did agree with him that it shouldn't have taken innocent children getting killed for them to take action. "...it wasn't bad enough when it was happening to adults in offices, shopping malls, movie theatres ...it takes violence happening at grade schools ...shame on them..." He continued by stating "...we could do much better ...we demand better..." SouthSide asked him for his views about Chicago's rising violence which peaked at 506 deaths (in 2012) and so far 44 (as of January 30th). He found it to be pathetic and also said that Illinois Council Against Handgun Violence not only represents Chicago but the entire state of IL, blogpsot readers. "...it's a historic moment to effect change..." says Timothy "...speak up now..." He also added that if you ever wanted to get politically involved, this is the right cause to do it. Besides going to Springfield to lobby for common sense gun laws (that includes tougher background checks) on April 10th, he also suggested blogspot readers nationwide to contact their US senators and congressmen and President Obama .as well as their local politicians to join the campaign. There are other ways of letting your voice be head like contacting local school boards and telling them "...I do not support training and or authorizing teachers to be armed with guns..." But please remember, blogspot readers, be respectful of all opinions yet have conviction for your own. For more information, visit http://www.ichv.org or http://www.onemillionsforguncontrol.org and http://www.demandaplan.org.

In between informing the audience on how they could get involved with the Illinois Council Against Handgun Violence, blogspot readers, there were musical entertainment as well as lovely raffle prizes to be won and yummy treats to be eaten (the apple crumb was the bomb!). All proceeds from the door entry, raffles and bake sale with the ICHV and the bands, out of the goodness of their hearts, performed on stage for free. The lineup of night featured Redgrave, Sunken Ships, TAFKA (The Artist Formerly Known As) Vince Band and Viceroy with The Pirate Twins (the DJ team of Scary Lady Sarah and Willaim Faith). Upon her arrival, Viceroy (http://www.viceroyrocks.com) was already in full swing rockin' the stage with loud thunderous punk guitar rock that vibrated boisterous sound and intense rhythms to headbang to. SouthSide enjoyed the raw vocals (by front man and guitarist Derek) amidst the twitterpating riffs that brought instant cheering reaction from the few near the stage especially during the heated instrumental bridges. It was the kind of sound that got the heart pumping wild on this frosty night. This band definitely blew some ears away when performing Dreamboy. Meanwhile, TAFKAVince Band (http://www.vincerock.com) was beyond wild and crazy during their Empty Bottle performance, blogspot readers ...and that's not a bad thing. This montage of musicians were intense (with the rock sound), excitable (like Energizer bunnies hopping all the stage), chaotic (as punk rock should be) and so much more that she had a difficult keeping up this band while reviewing them.  Loud intense punk rock was their thing and at times the noise volume did exceed the legal limit on the ears. Yet that's what made TAFKAVince Band's act so entertaining as well as enjoyable. Each member made it fun besides it being totally insane and frantic throughout each song. SouthSide must say that she has never reviewed someone who could outshine any woman in a pair of metallic shorts, fishnets and boots and strut around the stage like she own it like Vince did tonight, blogspot readers. This reviewer loved his flamboyant style and stage presence which was wonderfully paired with his female partner - Lauren who popped the lyrics to life with her raw vocal power. And the band behind this rockin' duo truly rocked out Empty Bottle with some wicked space punk wizardry (off the keyboards) one minute then to "in your face" rebel rock the next. It was intense momentum from beginning to end ...SouthSide can't wait for the next "workout" with this band.


Until next time, support your local scene,
SouthSide

31 May 13

Hey, blogspot readers, are you looking for new music to spice up your hot summer party or iPod? Well, SouthSide has been busy listening to new music just for you.  She highly recommends checking out the following artists.


Abandon
The Rose Phantom (Salt Lake City, Utah)
http://www.therosephantom.bandcamp.com

Described as "...dramatic ...emtotional ...moody ...intense...", this reviewer recommends fans of electronica/darkwave/piano-driven powerpop checking out this dark composer of music for the night known as The Rose Phantom. SouthSide found his music quite moving as if he was a tortured poet who essentially wears his heart on his sleeve. According to The Rose Phantom (sorry, this reviewer has been sworn to secrecy about his true identity), his lyrics are personal to which she could clearly hear it in such songs like All I Want, Emotional Closet and Once In A While. "...you could say they are straight out of my diary ...but it's the mood of the music that conjures up the lyrics for me..." states this artist in a recent interview with SouthSide, "...If the music holds a melancholic feel it will naturally conjure up the lyrics. So the mood of the music has a great impact on how I write the words..." SouthSide definitely could see when reading the lyrics to track 5 - Destiny Wants My Heart where he painfully sings "...I feel alone and scared / I watch the walls and stare / I need to run straight out / And stare at the sun to blind my doubt..." She was moved by the symphonic downtempo that nicely complimented the phantom's deep vocals before subtly switching to rhythmic powerpop/synth pop dance vibe taking his vocals to a falsetto tone. If you're looking for dramatic haunting music of the night, check out Take Me where whispers gradually end the song into a lullaby-like lull. *shivers* Track 6 - New Dreams, SouthSide could this particular song rockin' the next Nocturna meeting to which she enjoyed the attention-grabbing "Wake up" amidst the energize momentum of rhythmic synth pop/darkwave sound. The Rose Phantom is planning a west coast tour with possible stops in Seattle/Portland area ...also places in California in mind.

 

Social Focus
Social Focus
http://www.socialfocusmusic.com

FINALLY! That's how this reviewer felt upon hearing the news this local bands was finally doing a debut album - LONG OVERDUE in her opinion. For a couple of years, she has been exclusively rockin' to one particular track off their demo that she found at Elbo Room yet that version pales in comparison to revised version off Social Focus' self-titled debut album. This 11-track album features fan favorites like Classic Me, Safe Word, Telephones In The Skies (TITS for short) and her favorite, Merry-Go-Down which receives a fresh electro-pop intro and vocal harmonies in a softer tone but still keeping the rhythmic beat and programmed voice-overs ...yes, it's even dreamier than the original. Compared to the live performances, she found the production side of Social Focus' retaining that same hint intense energy of psychedelic rock while adding more electro/powerpop sound like in Dreamcatcher (love the thrilling shrill of the guitars) or Safe Word (in which you will definitely hear that angst in the vocals).  Picking which song to highlight proved to be difficult since the entire album is rockin' good but she did like the downtempo ballads of By Your Side and Solitaire which demonstrates the "softer" side to Social Focus in which harmonizing vocals are the main focus at the chorus. Actually in most songs off this album, harmonies are the main focus to Social Focus' rising local success, blogspot readers, amidst a varying range of music genres interwoven in the songs. Like Merry-Go-Down - you just night hear a bit of The Beatles psychedelia ...or intense electric/powerpop  rock in Of Mice and Men ...hint of guitar rock in Telephones In The Skies. If you're in Chicago, SouthSide highly recommends heading out to the Double Door on Tuesday June 4 when Social Focus rocks the stage with a live performance of their album along with Fersher and Blue Eyed Jesus.


"Give It Up"
Another Day
Black City Lights (New Zealand)
http://www.blackcitylights.bandcamp.com

All the way from Wellington, New Zealand, this duo (Calum Robb and Julia Catherine Parr) is making pop music with a dark twist, blogspot readers especially in this track off their debut album - Another Day - which is due on August 6. Though haven't hearing the entire album, this reviewer could easily deduce that Black City Lights' music was made for creatures of the night while listening to the dreamy electro wave track amidst the aria-like toned vocals dramatizing the lyrics. The intro did have that sci-fi-like starry entrance to instantly enwrap you inside its floetry of dance electronica sound. If the rest of the album is similar to this, it sounds quite promising that she might hear a track or two at the next Nocturna after its release.


"Satellites"
Satellites
We Are Temporary (Brooklyn, New York)
http://www.wearetemporary.com

If you're a fan of dreamy, blissful, electronica music that's quite ambient ...almost meditative, then you should check out the title track to We Are Temporary's Satellites, blogspot readers. It was a relaxing soundwave to which SouthSide could hear a bit of Crystal Castles influence within the music as the music allowed her to float along with We Are Temporary haunting yet deep vocals of Mark Roberts. Besides previewing this particular song, this reviewer did check out his two versions of the demo song - Carry On. It's not as dreamy or blissful like Satellites but in a pop alternative way, it does have that same effective while listening to his "quiet" vocal tone.



Christley Block
The Differents
http://www.thedifferents-chicago.bandcamp.com

If you're looking for something light, airy and basically quite different within your eclectic music taste, then you should turn to the melodic third album, Christley Block, by The Differents. Featuring 13 tracks, the band name truly says it all, blogspot readers, since this was unique kind of alternative/pop rock heard by this reviewer while enjoying the simplistic rhythms and upbeat groove of Prettiest Face (track 2) before rockin' to lively fun summertime song - Summer School (track 9) and Here For Me (track 10). SouthSide liked the Christley Block sample to which she went to the band's bandcamp website to preview the other selections in the album and recommends checking out Mi Lagro (like the Latin-influence meshing within their alternative rock sound ...danceable groove in this song and Cold Caring Man (a downtempo acoustic-like track spotlighting a heartfelt range of falsetto vocals). You can see this band perform live on June 14 when they will be rockin' Beat Kitchen.



Until next time, support your local scene,
SouthSide




 

One On One with Rachel Levitin

Hey, blogspot readers, SouthSide wants you to meet a "...musician passionately driven by [her] emotions..."  with strong ties to Chicago's local scene though now living in Washington D.C. Recently, Rachel Levitin returned home for a performance Uncommon Ground (Wrigleyville location) that also featured local band Trees on the lineup. Before her return to Chicago, this reviewer took time out from her busy schedule for a lively phone chat about her experience as a blogger, ties to a couple of local artist, music and why Chicagoans shouldn't be complaining about the public transportation system.

To understand this artist and her music, one would have to walk in Rachel's shoes to experience a few life changing events that occurred within her family ...one of them being - death. "...I experienced a lot of death in my family..." says this singer/songwriter after SouthSide asked why blogspot readers take a listen to her and her music, "...lost my father and dog within a 12 hour period ...it shocked me physically and emotionally ...never knew how close I was to him [her father] until he died..." Even though experiencing the deaths of both paternal and maternal grandmothers and other rough patches, music was Rachel's biggest and oldest friend (to which she jokingly noted that she's very single to the point of dating her music) thus having fond childhood memories of playing the ukulele. "...music is used as my betterment and it makes me happy ...and hopefully it makes everyone feel the same..." Since Rachel Levitin is a solo artist, this reviewer wondered if she preferred performing solo or with a band and she responded by saying "...I like it both ways..." This singer/songwriter likes the freedom according her "...it helps you grow ...can engage more with the audience, test new songs (without a band) and see how they react to certain ones you write..."  Plus, she likes the intimate setting you have with the audience, blogspot readers, and "...no one is going to notice if you play one more chord or two longer..." Yet on the flipside, when performing with a band, there's a different experience noted. There are some songs according to her that are meant to be performed with a full band. Eventually, Rachel plans to have a band in the future but she also says that she doesn't regret playing solo either "...it's a great learning experience..."

Before this interview, blogspot readers, SouthSide learned one interesting fact in which she shared with this artist - blogging.  So what inspired Rachel to take up blogging? Well, it first started meeting the co-owners of  We Love DC (http://www.welovedc.com/) after breaking away from another blog because they wanted to make this one to be fun. So around the Fall of 2009, Rachel started writing for them covering the National League baseball team - The Nationals even though she's a Cubs fan (and she did disclose something to this reviewer about the Northsiders chances ...let's just say, her comments weren't the usual hopeful  one heard every year). Soon she found it was good way to express her thoughts about the ins and outs of DC's local scene. "...[this] helped me to build up my networking system ...it's cool to know people and hear their opinion..." What she like most about SouthSide's blog was its simplistic format and its content. There's also longetivity too "...[that's how] people will find you..." Now, there's a Chicago connection between Rachel Levitin, the band Filligar and Tom Fort that SouthSide found interesting - they all went to high school together. One more fact -  Rachel had the extreme opportunity to open for Filligar.

Now, when talking about D.C.'s local scene, blogspot readers, it's not all go-go (i.e. E.U) or punk. And according to Rachel, there's a lot more than that waiting to be discovered but people don't realize it's out there. Like SouthSide, this singer/songwriter knows and understands that one can experience a wild, weird and crazy adventure while spending a night on the town inside the local scene. She told this reviewer about a nonprofit organization in D.C. called Listen Local First (http://www.facebook.com/ListenLocalFirst) that focuses on trying to promote as well as create collaborations and partnerships between local musicians and businesses thus creating "...additional avenues for local music exploration..." SouthSide had no idea that it's tough convinicing DC venues you're worthy to play on their stages. "...booking is a hard thing in DC ...there's so many of us..." That's how she received the chance to open for Filligar - they personally requested for her to perform at their show. "...it really pays to network and not use people..." She's a strong believer in musician karma, blogspot readers. And with that, she told this reviewer, there's also artists supporting other artists especially within the singer/songwriter genre in which they try not only supporting but also promoting each other's shows. However Rachel would like to see more collaborations to create events (like I AM Fest) as well as musically collaborating with other artists for booking shows. Yet in her case, she's surprised by the turnoout happening to her in the past few years though wishing it could be better.



As part of the pop/rock/songwriter scene, Rachel personally draws from her Blues and Jazz influences to inspire her music. Believe it or not, she was once trained as Blues performance artist, blogspot readers. "...I've learned to feed off other artists as well as feed off the history and context of our music..." Rachel did offer a selection of three songs which showcase three different yet distinct sides to her and her music. First, she said listen to Lucky Penny Blues - she opens her performances with this feel good, straight blues, whistle sandwich type of song. Then, she suggested listening to Circles (written for her 2nd album while in college) yet she performs this particular one with a full band for her new album stating "...you can see the progression of my growth as a songwriter..." Then lastly, try the song Dreaming which inspired her to write it after watching an episode of Glee (also she wrote the chord change in the bathroom "...has the best acoustics...") but it's based on a short story she wrote in 6th grade about winning Song of the Year at Grammy's. More interesting Rachel Levitin facts that SouthSide learned about her interviewee - she learned to play guitar and trumpet at 9 years old and then started writing songs at 12. Speaking of her performances, Rachel stated that her Chicago performance would have answered the question of what Alex Clare (British singer/songwriter), Fleetwood Mac and Filligar had in common - she was going to perform covers from each artist mentioned at the Uncommon Ground (Wrigleyville location).

With all this talk about D.C., this reviewer wanted to know if there was anything she missed about Chicago. There are two things - being so close to the Lake (Michigan) and riding the "L" (short for elevated) in which she says the CTA runs (way) better than DC's Metro public transit system hands down. She told SouthSide a story about how the Metro shut downs its entire system when doing repair work and runs on a confusing schedule. So in other words, Chicagoans have no reason to complain about how bad the CTA is. And like all of SouthSide's One On One interviews, it was time to wrap it up. Before leaving, Rachel did leave with some parting words. "...been doing this a long time ...I wouldn't be doing this if I didn't love it..." Also, she said give her a chance and listen, blogspot readers.

For more information about Rachel Levitin and her music, visit http://www.rachellevitinmusic.com/.


Until next time, support your local scene,
SouthSide

01 Apr 13 - Detective

“If you don’t have to work tomorrow, you should be more drunk...”

 

This rockin’ trio from LA may be named after the Luc Godard film, blogspot readers, but they certainly know how to excite their audience with a “...raw energetic sweet and dynamic...” performance.

SouthSide recently had the pleasure of reviewing the touring band known as Detective when they rolled into Chicago (according to Detective, “...it’s like New York but without the annoying people...”) to perform at the Empty Bottle. Known for their “...garage pop...” sound, this band told this reviewer during an interview that they’re “...more raw on the record...” yet have “...a lot of energy...” when performing live. Their main goal now as they record the new album is “...trying to reproduce that [same] feeling...” felt during a live show. Still there’s one thing Detective isn’t trying to be or do – they’re not trying to be or like anyone else, blogspot readers, as well as be the “..LA band that everyone loves...” ...not with their unique poppy punk sound.

Opening with the fun danceable pop song, Creative Class, Detective instantly caught this reviewer’s attention with a variety of other genres that were interwoven within the band’s core rock sound. She heard a bit of California surfer rock during the song Rhodesian Man to a slightly fast-paced punk sound in Basket of Masks or maybe a wee bit of Irish flare in I Was Where Were You?. Plus this reviewer enjoyed how the vocal duties between James Greer (ex-Guided By Voices) and Guylaine Vivarat were sometimes shared together or individually paired to particular songs which matched their vocal style and/or tone. There were moments when Guylaine’s soft voice balanced out James’ falsetto voice when he would lead on lyrics but together, there was chemistry as their voice naturally compliment each other.

Musically, Detective focused such attention on that side to their band on their audience throughout the headlining performance, blogspot readers. SouthSide took noticed that many of the songs didn’t overwhelm the ears with long extensive solos or instrumental bridges to grab your attention. Each one had the right amount rhythms, harmonizing melodies and catchy hooks thus producing (at times) intense energy that had some dancing along with the band. And accompanying this great music is the sarcastic or humored wit laced inside the lyrics. For instance, SouthSide enjoyed the pseudo title “Get Out Of My Haircut You Priest” as the inside joke to I’d Rather Run ...or the humor in between songs when James was selling Chris’ (Detective’s drummer from Chicago) body parts along with the other merch after the show. On this night, there were no takers on that offer, blogspot readers. Even after hurting his thumb (from playing too vigorously on the guitar), he was offering some of his blood for a mere low price of $500. Well, you know, a band especially while on tour has to make money some kind a way.

During a telephone interview with Guylaine of Detective, SouthSide asked what made Detective decide to release a cassette tape for their recent full-length album, However Strange. She replied stating that some fans have cars with cassette tape players beside it being cheaper to release than on CD or vinyl. Plus it “...makes for a cool collector’s item...” With their upcoming album, the band according to Guylaine is taking their time with it as well as having fun making it since it’s going to be double album produced by Steve Kille of Dead Meadow. Yet, blogspot readers can find three (3) raw tracks posted on the band’s bandcamp.com site to get an idea where Detective is going with their upcoming release. One thing is certain, their live shows are quite different from the recording and SouthSide highly recommends checking this trio out at their next show. Also say “hi” to them. They are very friendly.

 

For more information about Detective, its music and where the trio will be performing again, visit http://detective.bandcamp.com.

 

 

Until next time, support your local scene,

SouthSide

One On One with Flabby Hoffman

To many of us within Chicago's local scene, he's the masked man behind some of the most incredible psychedelic rock instrumentals that will blow your mind while producing weekly live comedy and music shows to broadcast on cable access. To the government, he's just another rebel, rousing upstart trying to stir things amongst the masses. But who (or what) is really Flabby Hoffman? Well, Southside'll let the man himself answer that question - "...The Greatest Show On Girth..." who also claims to be Reba McIntyre, if you can be that! This was simply the beginning of her recent interview of the man behind the mask, blogspot readers, after receiving a copy of his 3-disc album, Coup De Ta-Ta's which features a “must read” liner booklet. So where did Flabby get his name? According to this masked artist, it's from a native Cherokee tongue which literally translates to mean "the beast with 10,000 stomachs" and it was given to him while at drive-in theatre in Valdosta, Georgia during a test screening of "Dude, Where's My Car". Long story, short version, he had drawn the attention and sympathy of the audience members and management after eating the entire concession stand. Then he went on to state that he was forcibly detained by the members of Wal-Mart's private security para-military outfit and how he was "softened" up for his interrogation with a sack of grapefruits and car battery attached to his nips. Whether it's true or not (sorry, he doesn't remember anything after that) doesn’t really matter except for one thing he feels obligated to fight for truth, justice and the preservation of the creative impulse after receiving such amazing powers when he was bitten by a radioactive duckbilled platypus.

 

 

Yes, blogspot readers, it might be hard to decipher the inner workings and creative process that comes from the mind of Flabby Hoffman since you may have trouble deciding to take what he says too seriously or too literally. However, when that creative process involves music, to Flabby it's "...aunique means of expression because it involves a wide spectrum of impact..." to which he added "...You can touch someone emotionally, intellectually, and if you're really expressive you can touch them spiritually (but never touch them physically unless you have their permission ...especially in the undercarriage area)..." Then, he went on to state that music "...has a physical conveyance as well ...you can make someone groove, you can startle them, you can create a landscape in which they can immerse themselves in..." like for example the old Western theme song Happy Trails. Contrary to what the mainstream minds wants us to believe, blogspot readers, Flabby believes music can be a gateway as well because it doesn't have to be a cheap plastic piles of cases of he lovingly describes as "...crass and mechanical karaoke..." that's dull and lifeless as if a passionless lounge singer's rendering a painful and mind-numbing Andrew Lloyd Webber medley. OUCH! Yet, when it comes to Flabby creating his music, he tends to lean towards the “...vivid and expressive experiences...” “...I don't just like to break the '4th wall.'  I look to crawl up inside it…rat around in there for a while...” says Flabby, “...Make you think I'm long gone and then sneak up on you when you're not looking...” There's some truth to that last statement.

 

 

And that's basically what you will get from his latest CD - Coup De Ta-Ta's, blogspot readers, a 3-disc album featuring rather unique as well as interesting subjects like Richard Nixon Killed JFK (track 2, disc 1), Sugar Coated Zombie Unit (track 6, disc 1), Phony Balonies (track 6, disc 2), Everybodies An Uncle Tom Sometimes (track 7, disc 2) and Our Shadow Government Takes A Holiday (track 15, disc 3) by the Flabby Hoffman Trio. To be honest, blogspot readers, SouthSide didn’t actually listen to all 3 disc but she did sample a wide selection of songs to get a better understanding of Flabby’s creative mind and as well as surf his mind-bending psychedelic rock soundwave. Giving it “thumbs up”, she liked how tucked inside his songs you’ll most definitely hear this artist’s political beliefs and view points mixed with a touch of tongue and cheek lyrical satire and humor ...sometimes sexually laced but for a good reason. For example, in Nixon Killed JFK - he believes Nixon killed JFK and was the fifth column operative who’s mission it was to destroy the United States from within meanwhile in The Feudal System (track 4, disc 3) – he poses a rather interesting question “...how come blacks in Africa never lynch any white people...” Or in Inhuman Cruelty Society (track 17, disc 1) – though poking some fun at Betty Crocker (who’s poisoning us with her birthday cakes), Flabby notes that everyday about 23,000 die from starvation in which we can save a few. Via hidden messages and morals to his stories, Flabby does have a way of educating the masses to what’s going on in our socio-political world without getting too bogged down in long winded CNN details amidst his instrumental groove. During his live performances, that groove can last for minutes upon minutes with no end in sight ...think of it as a homage to the hippie/folk jam sessions where one musician would add a bit or two for a continuous flow of music only to end in its own time. You only can get that kind of retro sound with Flabby Hoffman. Now, if you’re wondering where you can get a copy of this rebel-rousing, (probably) politically banned CD, Flabby jokingly says you might be able to find a copy at your local dumpster or public landfill. To those living in the bible belt region, there’s probably one or two being burned along with the Dixie Chicks during your weekly book burning meetings. Seriously, blogspot readers, for those who are “...gluttons for punishment and enjoy a little friendly torture, the best place to grab or download our music is at http://www.cdbaby.com/Artist/FlabbyHoffman where all three of our albums sit waiting to be unleashed upon your tender pink brain...” It’s also listed on iTunes and Amazon. And while listening to parts or the entire CD, check out the “must read” 32-page booklet that comes with the physical copy of Coup De Ta-Ta’s – chocked full of tantalizing prose, bios about the musicians and satirical cartoons.

 

 

Here’s an interesting fact you should know about Coup De Ta-Ta’s, there are fifty musicians performing as Flabby Hoffman Trio (which actually did start off as a trio, blogspot readers, with Flabby on acoustic and two conga players) and over the course of 2 and 1/2 years making this CD – they didn’t rehearse. Flabby credits the talents of such musicians like Baron Rugmunchausen on drums and bassists as Quarter Paisan, Tip Top Motel and The Duke Of Barbecued Human Ass Meat rockin’ the rhythm section (“...without those guys…our sets would be as bland as a mayonnaise sandwich on white bread..."). Then there’s the “inner circle” of the Flabby Hoffman Trio which features Uncle Wakeman, the iconic Sid Yiddish, The Lizard, the mysterious Shag, and Eddie Sunshine as well as Ivan Russia, Blisstopher Robin, Rich Xperience, Senorita Hottie and many more. Plus it also features the original Flabby Hoffman Trio members – Orange Julius and Eddie the Chest. Believe it or not, there are three versions of the Flabby Hoffman Trio, blogspot readers. Besides the original trio version, in another version he does gigs with 6 to 7 of the guys and gals (with cameos from friends) while in another (to which he labels it as “...amorphous Flabby Trio...”) any or all of the extended members of the Flabby family are invited to join in the quest of the “Undiscovered Groove” “...So now I have three different ways to inflict pain and suffering on the unsuspecting townsfolk. Large, Extra Large and Super Size versions of the Flabby Hoffman Trio...” says the masked man before adding, “...I like to think of each of them as a marauding band of Norsemen on the make to ravage your women and pillage the countryside…in your mind...”

 

 

There’s another side to Flabby Hoffman, blogspot readers. He has also invaded the local television airwaves here in Chicago with his cable access broadcasts of The Flabby Hoffman Cavalcade from his live shows taped around town. He disclosed to SouthSide that he “...always wanted to create a self-sustaining system which encourages the growth and development of creativity as part of my version of The Revolution...which is based on empowering what's good in people instead of ‘burn baby burn’..." Still, his goal is to have a television show as well as live shows and a radio station all operating like “...an organically driven version of same type of integrated marketing you see from someone like Ryan Seacrest...” (but without the conspicuous worship to Satan, blogspot readers). Flabby would like to do what Ryan does yet without “...cheap, robo-musicians like Ke$ha who are dedicated to destroying our humanity...” instead he would like to showcase “...artistically driven, intensely unique and powerfully expressive artists like Hail The Black Dragons, The Embraceables, Black Umbrella Brigade and Sons Of The Never Wrong...” This would, according to Flabby, help the bands to amplify their music above the din and whir of “...horrid and manipulative puke that the mainstream tries to pass off as music every day…and where needed, help give those voices the venues and encouragement which they need to develop...” On that note, he credits the many thousand of creative people who have been part of his productions over the years boasting 500+ shows (both live music and comedy) on the Chicago circuit to which he books 8 live shows a month thus producing between 48 and 52 original (and new) 58 minutes of episodes on cable access every year.

 

 

Sadly, blogspot readers, the masked man known as Flabby Hoffman had to return to his “bat” cave to plot another coup. Before leaving, he did thank SouthSide for the interview and all the work she does promoting creativity. “....You are a blessing to us all...” By now, you’ve met Flabby the masked man, musician, and television host ...how about Flabby the Author?! Yep, believe the rumors. Flabby Hoffman has released a book titled The Avant Guardian, “...it is a satirical and frequently humorous (and always a bit insane) collection of rants about what's wrong with this place and how we can go about fixing it...” says Flabby, “...It is powerful and unique and a real eye opener for those who don't mind a little revelation and laughter once in a while...” To give you an idea, blogspot readers, of what it really is – think of this book as the 5th longest book in the English language. He suggests getting it in electronic form from http://www.smashwords.com/profile/view/flabbyhoffmanwhere it is published in two volumes and don’t worry about. the .pdf format. It can be opened by any computer besides e-readers. “...Come for the humor…stay for the uncompromising and vigorous dissection of the tools of our oppressors...” Then he left with these final words – “...In closing I'd like to say ciao-dios to all you true believers out there and thanks for being you...”

 

 

Coup De Ta-Ta's

Flabby Hoffman

http://www.cdbaby.com/Artist/FlabbyHoffman

 

 

Until next time, support your local scene,

SouthSide

Dame-Nation V

Hey, blogspot readers, are you ready for Dame-NationV?!

 

Well, get ready because from the press releases about this annual event that SouthSide's been receiving lately, it's shaping up to be ONE hot rockin' festival of female powered rock on August 15! So far, it's been confirmed that Cradle of Filth's Schoolcraft will be making her third appearance as host of the Music Joint lineup and reuniting Luna Mortis will be headlining the Reggie's Rock Club lineup.

 

SouthSide wishes she has more news however promises to constantly update you blogspot readers about Dame-Nation when she receives them.

 

Tickets will be available starting May 3rd $10 (for 17+)  or $18 (21+)  which will include entrances to both Music Joint and Rock Club venues, blogspot readers.

 

For more information, visit http://www.dame-nation.com.

 

 

Until next time, support your local scene,

SouthSide

08 Oct 12

Hey, blogspot readers, just to inform you on two pieces of mail that was sent to SouthSide's attention. Check them out...

Mr. Gnome fans - the band will be starting its Fall/Winter 2012 tour soon. Here are the dates and places which features a stop at Chicago's Beat Kitchen on Dec 14th!

10/24 Louisville KY @ Zazoo's


10/25 Indianapolis IN @ White Rabbit

10/26 Grand Rapids MI @ Pyramid Scheme

10/27 Madison WI @ Frequency

10/29 Kansas City MO @ Riot Room

10/30 Denver CO @ Hi-Dive

10/31 Salt Lake City UT @ The Bar Deluxe

11/01 Boise ID @ Red Room

11/02 Seattle WA @ Sunset Tavern

11/03 Portland OR @ Star Theater

11/06 San Francisco CA @ Thee Parkside

11/07 Los Angeles CA @ Bootleg Theater

11/08 San Diego CA @ Soda Bar

11/09 Tucson AZ @ Plush

11/10 Albuquerque NM @ The Launchpad

11/13 Oklahoma City OK @ The Conservatory

11/14 Dallas TX @ LaGrange

11/15 Austin TX @ Stubb's Jr.

11/16 Houston TX @ Rudyard's British Pub

11/17 Pensacola FL @ Handlebar

11/29 Lexington KY @ Cosmic Charlies

11/30 Cincinnati OH @ MOTR Pub

12/01 Columbus OH @ Woodlands Tavern

12/04 Chapel Hill NC @ Local 506

12/05 Jacksonville FL @ Jack Rabbits

12/06 Orlando FL @ Will's Pub

12/07 Atlanta GA @ The Drunken Unicorn

12/08 Nashville TN @ Exit/In

12/13 Dayton OH @ Blind Bob's

12/14 Chicago IL @ The Beat Kitchen

12/15 St Louis MO @ Firebird

12/21 Toledo OH @ Ottawa Tavern

12/22 Cleveland OH @ Beachland Ballroom  

For more information, visit http://www.mrgnome.com.    


ALSO - tickets are still available for Last Rites presents - An Evening With Kasim Sulton, singer, songwriter and band member of Todd Rundgren, Meatloaf, Utopia, Joan Jett and more! The show at Martyrs' on Saturday Oct 20th  - get tickets now at http://www.martyrslive.com or at ticketfly. Hope to see you there, blogspot readers.    


Until next time, support your local scene, SouthSide

01 Aug 13

Ah, the night is still young, blogspot readers, and this reviewer wasn't really ready to head home. After screening the new Percy Jackson movie, SouthSide randomly ran into her good friend, the mysterious (un)masked Flabby Hoffman taking a break from his latest edition of the Flabby Hoffman Cavalcade show at THE GRANDBAR (aka the former Betty's Blue Star Lounge).  It has been years since SouthSide stepped inside this West Town night spot and was quite surprised of its fresh new look. Gone were the booths, blue-painted walls and dive bar atmosphere with the sound system which made it very difficult to review bands. Instead this bar got a complete makeaover - red lighting to set the mood and atmosphere of its patrons' evening,  a hip bar scene that now fits the type of patrons they want to attract, an upgraded sound system, and standing bar tables as well as elongated booths (located in front of the sound/DJ booth) to relax with friends. Compared to this venue's former self, she was lovin' the new look, blogspot readers, which mostly definitely fit tonight's Flabby Hoffman audience attending the show. And this masked man certainly knows how to attract a modest crowd even on a Thursday night.

This Flabby Hoffman show featured a combination of local comics and musical acts including a performance by singer/songwriter James Moore who during his set performed a cool cover of Van Morrison's Brown Eyed Girl before continuing with more of his original songs. This reviewer enjoyed the pop-sounding falsetto in his vocal tone that at time became quite expressive whenever he highlighted the vivid pictureseque imagery inside the lyrics. This artist's soothing voice while amidst a rhythmic downtempo acoustic beat had a way of making his audience feel where his mindset was at the time of creating his songs. For example, listen to the closing song Gary Goose (a song written while attending college about pot smoking) allowed everyone to enter his vivid imagination while rockin' the stage with a slight upbeat acoustic swing. This particular song had a toe-tappin' rhythm that you could get into but listen carefully, blogspot readers, to pickup on the pot smoking references laced throughout the lyrics especially during the chorus. It was quite a tale James told which one could easily follow as he sung the song in a more natural vocal range than falsetto. This reviewer highly recommends checking out this singer/songwriter at his next show or you can listen to more of his music at http://www.jamesmoore.bandcamp.com.

Until next time, support your local scene,

SouthSide

16 Feb 13 - A Birdsong Valentine

"...I love the sound of my voice..." ~ Brian Bender of ABV during sound check

Warning ...warning ...danger ...danger, Will Robinson! They are back!

Who's back, blogspot readers? The wild, gut-bustin', belly achin' screamin', heavy-hittin' rock sound of A Birdsong Valentine! Yes, ABV fans, the boys are back in town after a long absence from Chicago's local music scene ...and this time Brian and the band are taking NO prisoners either. Believe it or not, it has been nearly 5 years since these party dudes have been on stage performing together yet this time SouthSide won't be in any danger of flying wireless guitar packs. The faces are still the same featuring Chris "Masta" Shen on bass and backing vocals, Oscar Diaz on guitar and backing vocals, Jay of The Branded rockin' on the drums and of course, the mouth screamin' the lyrics Brian commanding the microphone. This was a reunion shows, blogspot readers, to rival all reunion shows as it was held at a packed basement lounge of Elbo Room where long-time (and few newbies) ABV fans were ready to rock out with their favorite band. Moments before the show, SouthSide was lucky enough to snag another exclusive interview with front man, Brian to gain some insight on what brought the guys back and what's on the agenda for ABV in the future.

"...kids love me ...I guess it's the smile..." ~ Brian after another fan says "hi" to him

After repeatedly spelling his name, SouthSide asked ABV's charismatic vocalist to describe the "new" A Birdsong Valentine compared to what it was years ago to he answered "...rejuvenated party dudes to destroy..." and then adding "...we're going to destroy the stage and Jesse [Elbo Room's bartender/venue's heavy metal decorator] will have to build a new stage..." This reviewer heard the whispered rumors that the band was working on or might be working on a reunion show but she did ask Brian what was the real story about their decision to return to the music scene. According to Brian, the guys were having dinner and drinks at Lockdown Bar (located near Thomas and Western) when Lockdown's owner - PJ "Gunshow" Zonis commented to the guys particurally Brian that his "...cover band was nice but it's no ABV..." And that, blogspot readers, got the wheels rolling for ABV however there's a bit of a problem. After calling Adam Powers, Elbo Room's talent buyer, to book the show, Brian and the band had a week to promote it. So, what's a band to do when you don't have Facebook and most people are using it these days for everything? Well, they did the next best thing - the old fashion way. ABV called, texted, tweeted, emailed, etc everyone they knew about the reunion show. Funny thing is A Birdsong Valentine has about 40 friends on Facebook yet has plenty on Myspace (remember that site, blogspot readers?) ...plus they used their Linkedin to promote the show. Brian mentioned it's nice because "...[we're] playing rejuvenated songs written 5 years ago ...and [many] are not recorded ...also we had to look at old videos too..." to prepare for tonight's show.

Though fearing only 3 people would show up, to SouthSide Brian optimistic as he glanced at the door sheet noticing how many had arrived for ABV's set thus far. Still, according to Brian, nothing about the band has changed except drummer Jay from The Branded is now with them. And true to ABV style, Brian already had pissed off Elbo Room management for bringing their own drum kit when the venue supplies a kit for bands to perform on during their sets. "...it has the original ABV logo and drum head..." says Brian. Then, this reviewer asked what could fans expect from A Birdsong Valentine after tonight's show to which he said "...might be doing more shows ...might be recording new songs [like the one Oscar recently wrote] ...might even work on [building their] Facebook fanbase..." He also disclosed to SouthSide that he has found out some people are "sweatin" to ABV oldies (for exampple, the song Sink or Swim) to lose weight. All this done by word of mouth, blogspot readers, to come see their show since he doesn't work at Elbo Room anymore that Brian remarked "...it's refreshing to everyone again..." plus he added "...I can still hit the notes 4 years later..." while saying he won't be on guitar just vocals. To those fans who missed out on tonight's show, here's what Brian had to say "...you snooze you lose ...and you can take that to the bank..." Oh yeah, one more thing, "...I am woman and hear me roar..." Now, it was time to go downstairs and rock out the show with A Birdsong Valentine, blogspot readers.

"...you're the only band I would sleep..." ~ an ABV fan to Brian

"...I'll replace the mic stand..." ~ Brian to Dave Cook, Elbo Room owner

Down there, it was a local star-studded event of other bands like Lucid Ground, We Kill The Lion, Black Bridge, Mason's Case and A Friend Called Fire, lending their support to the headliner, A Birdsong Valentine, along with the many ABV diehards packed in the basement lounge. After a tearful welcome and warming up the ears with a blood-rushing crescendo of hard-hitting guitar riffs and clashing percussions, ABV was back, blogspot readers, and ready to get down to the business of rockin' out this eagerly excited crowd as they opened with Who Lie. And POW! Here's where Brian's ultra cool vocals on the lyrics meets the pent up rage of his gut-busting screamin' that instantly drives the fans wild head banging action. SouthSide hopes the band realized at this moment how much we missed hearing the belly aching screamo amidst the highly intense guitar riffs and drum rhythms while many joined in singing along with the band before moving quickly into one of SouthSide's favorite song, Sink Or Swim - another intense moment where Brian shows off more emotional gut-busting screaming (with some bird calls during the instrumental bridge).  It was truly refreshing to hear those and other ABV songs like Mamma, RIP with You and I Am again rockin' the stage and re-igniting fun memories about this band. This reunion show also featured Lockdown's owner, PJ Zonis performing with the band during Kill Ur Idol where the band grabbed their fans by the balls with lots of screaming and gritty guitar riffs. Fans throughout the show were either singing or head banging to each song soaking up every intense second until the very end ...and still wanting  more after rockin' them with The End. Before officially ending their reunion show, ABV gave them a rockin' version of Shinobi Dragon Ninja, blogspot readers. Overall, it was a hot show seen and reviewed of this local band. Not only were they a rejuvenated rock band but they definitely left their fans wanting more. Hopefully, we'll see more of them throughout 2013 around town.

For more information about A Birdsong Valentine, visit http://www.myspace.com/abirdsongvalentine.

Until next time, support your local scene,

SouthSide

07 Feb 12

"...On guest list? $5.00 Fee..."


Hey, blogspot readers, SouthSide's rockin' at a Blockbuster near you! Yes, it was family fun night at the Wicker Park location with that mysterious bar and house band known as The Claudettes. Somehow, the unseen bar owner was able to convince the manager and staff to host an hour show at their Blockbuster store. SouthSide was told Claudette has her ways as she struggles to regain her license. However this is time since it was a kid friendly show, they couldn't sell the best tasting Buds in town but had to settle on selling soda, snacks and of course Blockbuster movies besides the t-shirts and CDs available at cheap, low prices. According to Claudette's text message to bar girl, Lizbeth, they could sell soy milk and milk shots next them do a family show.

Jamming near the Blue Carpet Releases section, Ig (on piano) and Mike (on drums) entertained the audience as well as the curious customers inside the store with lively jazz/swing tunes. SouthSide's daughter, Sunday (not her real name) liked the fast furious piano playing and the improvision on the drum rhythms which brings out the danceable feel song after song. Though not wanting to dance, she liked the hot jazz music especially when upping the tempo for more a swing sound than jazz. Even while taking the rhythm and tempo down a bit, the rockin' duo still kept the lively pulse going throughout one particular song despite its shortness before moving quickly into a fast-paced tune. And always, Claudette was watching what was going on throughout the show, blogspot readers. She noticed Ig needed to smile more ...poor Mike was docked pay because he had the wrong shoes on. She's like Big Brother - she has a snitch amongst the audience and it was not SouthSide.



Be on the lookout, blogspot readers, The Claudettes will be appearing somewhere around town again. Who knows - they might appear at your local grocery store or K-mart near you!


Until next time, support your local scene,
SouthSide

24 Jul 12 - Producers Summit

Hey, blogspot readers, give SouthSide a beat! Tonight, at the Guitar Center (located in Lincoln Park/Lakeview area) was the site for a special yet intimate gathering where indie producers near and far (as in St. Louis, MO) received some helpful advice and insite about being a producer as well as battled their best beats against each other in front of Grammy Award winners, S1 (Symbolic 1) and Rhymefest along with Stephen - Rhymefest's engineer. This was an extremely rare chance and opportunity for those up and coming producers of all ages, ethnic backgrounds and sex to be a part of this Producers Summit. The FREE event was presented by Music Industry Workshop in conjunction with The Guitar Center featuring Brand Aok (of iStandard Productions) hosting and taking on the moderating duties during the Q & A session throughout the open public event.

After a brief welcome to the session by the manager of this Guitar Center Location, Rhymefest opened with a brief history into his rising career as a Battle Fest rapper (noting that Chicago has the best Battle Fest rappers) trying to make a name for himself which included winning a battle against Marshall Mathers (aka Eminem). His connection to Jay-Z and many others began with his connection with Kanye West who was making beats for him because at the time, according to Rhymefess, no one wanted to hear Kanye rap. Soon he was signed to a major (R&B) label however became indie to learn more about being a producer and the craft with Kanye. Besides music, many voters in Chicago should recognize this artist because of his run for the aldermanic race in the 20th ward against Alderman Willie Cochran. Though unsuccessful, it did put this hometown producer in the media spotlight about his passion for community activism to which he currently felt has more of an impact through his new venture - Project Moses with Symbolic 1. Not really going into too many details, Rhymefest did hint that this organization will create its own label as well as sign indie artists to it.

Meanwhile S1 (or Symbolic 1) offered a quick look into his 15 years as a producer which started off making beats for Strange Fruit Project on an indie level before working full-time. Then he met and started collaborating with Little Brother for a while which led up to his meeting with Kanye West via Rhymefest whom he sent a sample of his beats who in turn had Kanye check out. According to S1, "...relationships are so important ...the relationships you build will help in your journey in this industry..." For S1, his journey over the last 15 years has been built on making good connections (ie relationships) around other artists that he had the chance of meeting. Lastly, Stephen, a man of many few words, spoke rather briefly about his career as an engineer and mixer but that didn't stop Rhymefest for truly highlighting how much appreciated this person was to him. The artist stated that Stephen besides being an engineer also had a brilliant mind not just for how music and instruments should sound (has a rock band) but for the business side of the industry too. According to Rhymefest, he has written proposals for him calling the engineer his "...partner..." For Rhymefest, he was able to see a different prospective of music as a business than just producing beats for Jay-Z or Kanye or Beyonce et al.

Now it was time for a brief session of Q & As amongst the participants in this crowded back room and the first question was about how to maintain relationships. Both artists highly recommended to everyone that they be "...a man of [their] word ...follow through if [they] promise something, then do it..." Doing this certainly shows what kind of person you are to others who might in turn tell others and so on and so forth. S1 also added  "...doing small things and being kind..." to the mix. Meanwhile, Rhymefest also highlighted the point if someone does you wrong, don't go with the impulse to snap on people which brought up the follow up question - how to handle a situation when someone has done you wrong. He suggested considering how to use that situation as leverage to your advantage and/or knowing when to walk away from the relationship with your services and pride in tact. Also he advised, if considering the non-profit route, find what you're interested in or want to promote. "...[you] do not have to do everything what people do..." Both agreed that you have to make music "...that's special to you ...as musicians, we're suppose to be starting trends not be controlled..." That is something SouthSide can agree with. "...if you make music, be a leader and have the followers follow you..."

The next question dealt with on how to handle the direction of a song from different points of view. It was advised that having strong communication and discussions ...thus trading and creating concepts and ideas to build a song. Rhymefest stated that as a writer he's open to edit and has full trust (as well as faith) in the producer, artist, etc. It was suggested that many young musicians and producers don't know how to handle this to which you need to be mature and professional. Then it was asked what was the difference working with major label and indie. Symbolic 1 said there are similarities but with an indie artists it's easier to get your money up front compared to the major label since there's a network of people who have to sign off on your check. According to him, depending on the artists, creativity is cut out and all because of - technology. "...everyone wants you email, pick and then demo the track..." while with indie artists "...[there's] more creativity..." because you're able to work closely with them. Another asked S1 since he was from out of state how did he make relationships outside from where he was from. Jokingly he replied there's "...so much I can do by staying locked in a room..." yet at the end of the day, it's all about that one beat. And since he wanted to put himself out there, he began entering events and showcases despite spending money he didn't have. But it was necessary if he wanted to take his career to the next level. His advice was "...build and maintain relationship ...network..." Before taking a break for two separate producer battles, the last question asked was about how production had changed over the years. Back in SouthSide's day (and yes, she's dating herself again), there was no software just hardware (ie think of that episode of Everyone Hates Chris when he wanted to be a DJ) for creating beats. S1 being sort of old school he didn't want to switch to software after getting quite familiar with his V8Fx soundboard and sampling tools but did switch over upon discovering the sound was greater and was able to manipulate different sounds better.

Just because it as Rhymefest and S1 judging the producer battles, don't think the battling contestants were treated lightly, Oh no - these two artists offered honest and constructive criticism (as SouthSidewould do when reviewing a show) to each of the contestants on what they could do better to how to improve, add, subtract, etc from the sample heard, blogspot readers. Here's a sample of what happened in round 1:  Blitz Beatz was first to which S1 said it was great but it need some tweaking and limit stock sound while Rhymefest stated it was really good however the intro was too long. It didn't have the same build up as the drop. Next, representing the ladies, was Michelle and her track - S1 said it had too much going on (at once) to which she needed to make sure each sound had its own space and identity while Rhymefest wondered (as an artist) if he could rap over it saying the track didn't have enough groove to rap to. There was Treymaine (this reviewer apologizes if name is misspelled) to which both judges liked a lot. Rhymefest began rapping his opinion about the track in time with the beat and declaring it the winner with Blitz Beatz as runner up. Other battle contestants included Buggin' Beatz (the track didn't have enough umph to take it anywhere though loving the pianos used) and Stadium Status (the drums stood out amidst the melody but also needed the right sounding drum beat for this particular track). How does one make the drums harder? "...know your monitors ...know how drums are suppose to sound..."

Here's a sample from round 2: Abliteration took the spotlight with his track to which Rhymefest said it sound like sounds were clashing together ...there was no personality and S1 said he needed to understand (as well as play with) the EQ ...clean everything up, buld it and clean to improve - beware of the instruments. Stephen commented "...instead of adding ...cutting to what the human ear can hear..." Then there was Foo and his track had the a unique drum beat but no groove to which Rhymefest advised that producers should know how people move (ie look at what drugs are popular) meanwhile S1 though liking the track had to agree with Rhymefest since he too was expecting it to go somewhere. J-Hush was next and he received compliments about his track because both judges immediately recognized that he's a producer who knows how to mix very well. According to Rhymefest, the track demonstrated his professionalism and S1 said the song was ready for airplay. Again both judges like the track by Matthew in which S1 said it was "...dope..." because it was "...a real feel good track..." showing his musicianship and Rhymefest liked how the music made him feel because of its vibe stating we needed more producers and music like his. Also battling in this round was Joy (needed more element [ie melody] in her track ...it was too plain though having some style) and Black Norris (both agreed the track was a hip hop joynt though a little dated with the drums). Winners for this round were Matthew and Foo but everyone who attended this session wanted their music to be heard and judged tonight though sadly couldn't due to time constraint.

In the end, blogspot readers, it was a very informative though brief look into the world as a producer within the music industry. One, she hopes, each participant learned something to improve as well as better their craft.


Until next time, support your local scene,
SouthSide

23 Mar 13

"...this is just a phase ...I can quit whenever I want..." ~ Pop Radio 101 by Camera

Hey, blogspot readers, spring break has finally arrived without the spring weather here in Chicago. However that didn't stop SouthSide from spending it at Double Door to see an old friend rock the stage there. It was Camera's The Panic and The Permanence (a follow up to the band's 2008 album Fire & Science) LP release show which also featured performances by Audiences, Cassettes On Tape and Golden State (Los Angeles, CA) to assist in the celebration. SouthSide highly recommends checking out all bands mentioned in this review.

 

Though missing Audiences' (http://www.audiencesmusic.com) opening act, this reviewer did arrive in time to groove within the electro powerpop swing of things by Cassettes On Tape (http://www.cassettesontape.com). This local band provided a dreamy yet energerized momentum as the quartet of musicians rocked the ears with an Echo and the Bunnymen sound, blogspot readers, if you had to compare the band's core music style. Not that this reviewer is frowning on the comparison ...she did like the danceable tempo and pop fee within that shoegaze vibe though having her see front man Joe (also on guitars) as Echo's stand-in during most of the set. She instantly fell in love with his deep falsetto vocal tone that popped the lyrics to life with such heartfelt tone and emotions. There's plenty of electro energy to keep you feeling that urge to dance along with the band even while in a slight downtempo rhythm.

 

Next from the warm sunny shores of California, this band brought more than just the bright lights of his rockin' city to the stage. Golden State (http://www.iamgoldenstate.com) also brought to its Chicago audience lots of thunderous energy and electric guitar riffs that had the stage ablaze under such intense fervor, blogspot readers, but not only that  there was some (rock) sexual tension emulating from this band's sound too. This reviewer enjoyed how the music especially during the instrumental was performed quite emotionally as well as passionately to which helped highlight front man/guitarist James' fierce vocal tone on the lyrics in songs like All Roads Lead Home, Save Me and Bombs. Plus it did help to have Double Door lighting working in sync with the band to capture the intensity of Golden State's rock music adding plenty of excitement and energy for the audience rockin' in front of the stage. For example, during one particular song, this reviewer relished in feeling the sensation of the band's pent up electric momentum gradually rise on a steady crescendo that had the blood boiling with anticipation amidst the percussion's rhythm. Too hot to the touch despite the following song afterward having a downtempo energy and momentum but it was not to overshadow James' heartfelt vocal tone, blogspot readers. 

 

Finally the moment had arrived to hear the live version of Camera's (http://www.cameraband.com) new LP, The Panic and the Permanence with a few oldies tossed in their headlining performance, blogspot readers. This local band have what they dub their music as "pop noir" though they do wonderfully pay homage to a few 80s bands like "..Oingo Boingo, David Byrne..." (according to Owl Mag in its review of the new album), and Talking Heads that's heard within core music. It doesn't have a campy 80s sound, mind you yet Camera plays around with it while meshing a different genres here and there within their songs. You might feel a pseudo Latin/sumba electroswing rhythm (track 1 - Grazed By Bullets) going one minute then at the next you're getting a saracastic lesson within a funky electro/powerpop beat (track - 2 Pop Radio 101) or you might find yourself dancing to the fun pop sound (track 6 -The Negotiator).  Though most of the songs on this new album aren't technically "new", blogspot readers, it was great to mix with them a couple of new ones like A Place I Know and Heir Apparent. SouthSide's test audience recently did a test run of Camera's album and found the electro music enjoyable like the previous one - Fire & Science. They had like track 2 (Pop Radio 101) and track 8 (On A Night Like This) for both songs' tongue and cheek sarcasm especially in track 8 in which the lyrics jokinly state "...you're a girl ...so what do you know..." Tracks 4 (Nuclear) and 5 (Debris) are perfect in the order they're placed on this album because you get a somewhat contrasting sound by the band within a sort of "doom and gloom" feeling.  During their Double Door show, Camera did perform three cool oldies (and reviewer favorites) like Wicked Games, One Neo Eon and London Fields.

 

 

Until next time, support your local scene,

SouthSide

One One One with Jason Magicks

Jason Magicks

He's mysterious like the haunting whisper of the wind softly blowing against your ear while excitedly pumping an eclectic rhythmic sounds of hip hop, percussions and more amongst his church followers at his "magick" shows. Hey, blogspot readers, come meet the man and artist behind the persona Magicks - Jason Magicks. Recently, SouthSide was lucky enough to be granted intimate access with this local artist behind the sacred counter of Record Breakers (located upstairs inside Reggie's Music Joint) where she learned more about what's it like being dubbed the High Minister of the Church of What's Happening Now, his appreciation for The Beatles and role model - his father, what turns on the "magick" within his music and much more. Be prepared to be dazzled and amazed by his slight of trickery as this reviewer opens you to his world of Magicks.

After being honored with the privilege of sitting behind the sacred counter of Record Breakers, SouthSide opened by asking Jason to describe himself in five words or less to which she not stumped him but he had to sit and write the words down to envision as he sees himself. In the end, he chose the following words, blogspot readers: "...imbalanced ...obsessed ...passionate ...out-spoken ...reclusive..."  Now, you may be wondering why Jason would use such words to describe himself. "...I don't [like] dealing with people who aren't passionate [especially] the more time I spend with them..." also adding "...I'm learning more about myself..." He stated that his songwriting process helps him thing about his experiences to which he draws from them and it's a well-thought out process as he puts together an album. "...all songs are personal..." to him, blogspot readers, so don't expect him to do a rush job by slapping together songs or tracks. Each song/track, according this artist, has a special meaning that connects him to the sender of the music that he bestows to his followers. When asking him about being the High Minister of the Church of What's Happening Now, Jason gave credit to the publicist in New York for writing his Magicks bio and it seems that gospel of Magick has been spreading because he has seen his symbols at other venues and place around town. According to the artist, "...it's a strange scene..." now that he's witnessing the revival of the underground "cult fever" and its presence is even making waves within the pop/rock scene too. And Chicago isn't immune from this "fever" either, blogspot readers. Jason feels he has started the return of the goth scene but not to its original dark and dreary scene that SouthSide grew up to back in the 80s. This goth revival "...it's more spiritual now than before..." says Jason, "...people are looking for something to connect..." Believe it or not, this is not only effecting the music but the fashion as well to where the original goth fashion is toned down and brought out of its dark moodiness for a bit of color.

So how does one who's the High Minister of the Church of What's Happening Now gain new followers to join his "magick" movement? Well, don't this minister to use the usually tactics of handing out flyers or posting posters around town, blogspot readers. No ...Jason goes for the unusual route with offbeat marking techniques to attract the curiosity in people to come talk to him. For example, he walked around Pitchfork carrying a box that read "Free Kittens" which seemed to work because people were curious and approached him about the "free kittens" to end up learning more about him, his music and upcoming shows. "...personally I would like to say my music is good [but] rather would do something different..." to attract people to me also adding "...most [people] are desensitized to that [ie posters and flyers] ...I watch what people are doing to know what not to do ...there are other options out there ...ways of getting people to come to your shows..."  Jason likes it better when curious people come talk to him instead of him going to them. Now, blogspot readers, SouthSide would like to add a special interesting note about this interview. Throughout the time she was chatting with Jason Magicks, the phone keep ringing in between questions and or anwers of people callling for food orders. There were some hungry people out there not wanting to venture outside on the slippery pavement that Jason suggested Reggie's start delivering but with sexy barechested delivery guys. What a way to not only spice up food revenues but an "out of the box" type of venue promotion as well.

So what makes Magicks music pop? You need to check out Jason influences, blogspot readers, from where he draws some magickal inspiration like Nine Inch Nails (his favorite group), My Bloody Valentine (for the band's sound texture and influence) and 90s Hip Hop as well as other rhythms and percussions. Yet, he also an eclectic and appreciation for other genres and music groups for example like TLC that he will listen to  for a couple of hours if writing a track with some 90s rhythms in it. His appreciation for The Beatles stems from his father because, according to Jason, it's his dad's favorite band and he (Jason) likes their pop structure. SouthSide and Jason spent a good deal of time appreciating how The Beatles created a wide range of music that may have seemed meshed together or incohesive but magically made it sound very listenable especially when they got very psychedelic. That's when music changed and music history was made because it laid the ground work for other bands like Led Zeppelin, Pink Floyd and others after them to start experimenting with sounds, texture and rhythms. SouthSide then asked him what he has heard from others about his music and he replied stating some have compared him to MGMT while others have found him to be Animal Collective-ish (from their early years when the music was a little "weird" and sounds were slapped together) sometimes. And sometimes he has fooled people into thinking it's his music playing when they enter Record Breakers. Sadly, it's not but for the moment, he'll take the credit. Jason does have a goal in which he shares with every local/indie artist - to make money with his Magicks persona. He can see himself on the Billboard Top 40 making revenue but still remain independent. "...there are ways of marketing yourself compared to how it was done 10 to 20 years ago ...[you have] YouTube, iTunes, Facebook, etc ...you can connect with others around the world..."

But there's one personal reason why Jason wants to make a profit off his persona, blgospot readers. He wants to buy his father a house. This artist shared how his father raised him and his two brothers on his own after the death of his mother teaching his sons important values like being self-reliant. "...he's a really good father ...learned a lot from him..." that Jason now see how he was raised has an impact on him and would like to pay him back for all that his father did for him. Recently, this artist began looking into and researching information about licensing and ASCAP (which he never thought of doing before) while mentioning that (record) labels are also learning and researching more about indie/local music and how to tap into the indie music market. Plus he noted that independent artists are learning how to take more creative and originiality control of their music when under a label. Jason did mention to SouthSide that his next album will be centered around nature yet cautioned it would be for people ...but centered on the theme of oneness to whatever we believe in or connect to. "...I believe there are energies ...forces that drive and inspire us..." stating that he's simply the receiver of the message coming from something around him. He said "...imagine a star busting in the key of G or F millions of years ago..." and it's brought to life today, blogspot readers. Perhaps (and it could be a possiblity) that Bach's compositions were thought of and/or written by someone else a thousand of years ago. "...can't say you created the melody when it was probably created or heard before you penned it to paper..." to paraphrase Jason. In the meantime, Jason highly suggests listening to his current release Solstice Lullaby, a follow up to his Equinox but he may or not do tracks about the summer solstice and spring equinox since he's not really into doing what's typical.

Like all good things, the interview had to come an end, blogspot readers, but not before leaving SouthSide with his final thoughts: "...I thought I could do this entitrely on my own ...I can't ...I need people to want it as much as I do ...it could be as small as sharing [my] music with your friends ...expose it if you like ...it only takes three seconds to share on Facebook..." He's not asking for donations since he knows everyone is broke but all he's asking for is a little love for his magick music. Also, Jason would like to add that he has started a live video series where he has bands performing behind the Record Breakers counter. You can find the action and fun here at http://www.youtube.com/breakerrecordsvideos.
For more information about this artist, visit Magicks at http://www.magick.bandcamp.com or http://www.facebook.com/magicks.


Until next time, support your local scene,
SouthSide

05 Apr 13

Hey, blogspot readers, it's the weekend and it's time to rock!

Tonight, SouthSide returns to "home base" - the Southside at the Reggie's Rock Club along with her special guest (and #1 fan) Joe to see old friends The Bright White and Comasoft featuring headliner Makeshift Prodigy and new ones Ship Captain Crew and Mighty Fox on stage. This unique lineup immersed its audience between the spectrum of  alternative rock sound and symphonic/fusion rock music.

 

SouthSide highly suggests feeling the robust energy of opening band Ship Captain Crew as they rocked the stage with a powerful display of guitar rock which featured 4 guitars (2 electrics, bass and acoustic) hitting the riffs hard. This vibrant presence produced not only intense energy but also the same in the band momentum that easily complimented front man Roger and his heartfelt vocals on lyrics. To SouthSide, it seemed a little odd for a band to be hitting the riffs this hard while having such a voice tone yet, blogspot readers, it somehow works without turning Ship Captain Crew into a screamo/metal band since the acoustic guitar and heartfelt vocals balance that out. Too bad the audience (at the beginning) was lifeless because this reviewer was definitely rocking out where she was (in the balcony) with this local band. For more information about this band, http://www.shipcaptaincrew.bandcamp.com.

 

 It's been a long while since SouthSide and The Bright White rocked together, blogspot readers, to which she was informed before the show of a certain notable change. Matthew, front man of the band, was now performing on guitar ...and she has to admit - it's a good fit not only for him but for the band as well. With Matt on guitar, it seems to add more volume by taking Bright's music to a new level besides giving his vocals that extra boost on lyrics. Not worry, the band does still have that lively Brit pop/rock feel yet while he's on guitar, blogspot readers, there's more vibrant energy within the rhythm and a mature feel to certain songs despite the band being under the ugly red lights throughout most of the performance. This reviewer would have liked it better if the house turned up the lights a little especially during the heartfelt ballad, Lose Yourself (off new EP) due to the way Matt was pouring himself lyrically into the microphone and Upon The Wall where the band rocked the stage with bursts of energetic momentum. For more information about The Bright White, visit http://www.thebrightwhite.com.


Teetering betwen alternative rock and symphonic/fusion (think Muse/Coldplay) rock at the middle of the lineup was Mighty Fox to which this reviewer enjoyed the band's vibrant energy and rhythmic guitar riffs thus igniting the sparks of dance and movement amongst the crowd on the main floor. Though having a slight symphonic tone incorporated within its core rock sound, this band was quite big on the Muse-like dramatic endings, blogspot readers, that at times kept you pumped and ready for the next song. Still, there were some moments during Mighty's performance when the music seemed a little chaotic and/or were doing too much at once to this reviewer's ears. Despite having that lost feeling with Mighty Fox, SouthSide does recommend checking out this local band at their next scheduled performance. For more information about this band, visit http://www.soundcloud.com/mightyfoxmusic.

With capacity on the main floor filling fast for the headliner Makehift Prodigy, Comasoft was an excellent lead-in band to welcome the crowd into the electronica side of the music spectrum, blogspot readers. Though not seeing this particular band in a long time, SouthSide noted they still had that dramatic flare and energizing yet moody electronic sound (think The Cure and Depeche Mode merging together as one) that she liked about Comasoft. Sadly, it wasn't truly a Comasoft show since they had slight difficulty with the projection to run images in sync with their set list tonight ...and there were a few problems with the sound since Jay would get overshadowed by the music during a few songs. Not faulting the band on that, blogspot readers, because there was laser lights (running in sync to the music) to give the fans and the crowd a chance to be under that space cadet glow while rocking to songs like Oh Rawanda, Bang (new one with Jimmy engineer and member of Ghosthouse), and Adam's Beat (like the creepy, haunting you get with the music but needed more microphone to hear the lyrics). There was still one thing that made it a Comasoft show for this reviewer - hearing (one of many) favorite 80s song by Sly Fox - Let's Go All The Way within the band's modern electro-rock style that was a little sexier amidst the bad feedback in certain spots of the song. Every band has its bad performance days but it's not Comasoft's fault for the mediocre outing on stage, blogspot readers, since Reggie's sound didn't fully capture the band's electro vibe  that well. However that didn't entirely dampen this huge dance party for SouthSide and Joe. For more information, visit http://www.facebook.com/Comasoft.

Under the unique combination of lights and symphonic sound, fans were ready to experience something like they have before while those who haven't seen them before were about to experience a journey like no other, blogspot readers. Makeshift Prodigy wasted no time in taking everyone on an incredible journey through sight and sound to which not only inspires but motivates the mind, body and soul all at once. For those who have seen them live, it's like reliving a moment in time when music instantly grabs you by the heart thus whisking you away to where there will be a non-televised Revolution ...you can be Chasing Daylight of new hopes and dreams while feeling Alive within your soul. For those who were experiencing this musical phenomenon for the first time, SouthSide quietly observed how the music instantly uplifted their spirits as they boarded Makeshift's journey through inspirational symphonic/rock music. This isn't the first time this reviewer has seen this happen during one their shows where new listeners to this band's music suddenly changes them. Whenever Makeshift performs, blogspot readers, something incredible literally happens throughout the crowd ...it's a like a music revolution of sorts where people gravitate towards a higher conscious ...perhaps music (like Makeshift Prodigy) could be the key to world peace. Who knows but one thing is for sure - this band has the magic touch when you're feeling a bit down or when you need that motivation to continue forward and onward. Take all three albums by this band - Welcome To the World, Mathematica and Illuminate (the new one), somewhere you will find a song or two that will inspire your soul knowing having hopes and dreams isn't dead. For instance take Some Kind of Miracle (off Illuminate) or Sirens (off Mathematica) in which Makeshift's lyrics seem to be based off personal experience from front man Anthony as he poured heartfelt emotions into each word to make you feel something tingling in the heart. As SouthSide mentioned earlier ...this band has magic power. This summer you can feel as well as experience that same magic power with them as they perform at Lollapalooza in Grant Park on August 4 if you're lucky enough to score tickets. Don't despair, this band will making appearances around town or somewhere near you soon, blogspot readers. For more information about Makeshift Prodigy, visit http://www.makeshiftprodigy.com.


Until next time, support your local scene,
SouthSide